2018 Books Features Filmquest Horror News Joel Harlow

FilmQuest 2018 Winners & Wrap-Up!

FilmQuest 2018 Winners & Wrap-Up!

One other FilmQuest has come and gone – the fifth annual to be actual. And Horror Freak Information was there to doc (virtually) all of it. (We did want slightly time to sleep in between movie blocks).

I’m comfortable to say that my tally for final yr’s FilmQuest (154 function movies, brief movies, music movies and web-series screened) was eclipsed in 2018. My mind could also be a bit fried, however I consider I took in 163 options/shorts/movies/web-series over the 9 day pageant.

Filmmakers, writers and press from everywhere in the world gathered in Provo, Utah to expertise some horror, some fantasy, some sci-fi and virtually every little thing in between.

However let’s get to what you actually need to see – listed here are the large winners of FilmQuest 2018!

Greatest Function Movie: The Blacksmith and the Satan

Greatest Documentary: The Unbearable Groo

Greatest Comedy Brief: Lunch Women

Greatest Unbelievable Brief: To Catch a Fly

Greatest Fantasy Brief: Ovum (Argentina)

Greatest Overseas Brief: Maw

Greatest Horror Brief: Claw

Greatest Sci-Fi Brief: Laboratory Circumstances

Greatest Scholar Brief: Leviathan

Greatest Utah Brief: Mortal Coil

Greatest Animated Brief: Bullet Time

Greatest Music Video: Ricochet

Greatest Net Collection: Pushing Expertise

Greatest Youth Movie: Lifeless Air

Greatest Director – Function: Paul Urkijo Alijo – The Blacksmith and the Satan

Greatest Screenplay – Function: Jules Vincent and Chuck McCue – Alive

Greatest Actor – Function: Pedro Pascal – Prospect

Greatest Actress – Function: Sophie Thatcher – Prospect

Greatest Supporting Actor – Function: Eneka Sarardoy – The Blacksmith and the Satan

Greatest Supporting Actress – Function: Kathleen Quinlan – Chimera TIED Suzanne Voss – Dementia Half II

Greatest Ensemble Forged – Function: Misplaced in Apocalypse

Greatest Ensemble Forged – Function (Honorable Point out): The Witch Information

Greatest Cinematography – Function: Stijn Grupping – You Go to My Head

Greatest Modifying – Function: White Chamber

Greatest Sound – Function: The Look

Greatest Rating – Function: The Look

Greatest Manufacturing Design – Function: Prime Knot Detective

Greatest Costumes – Function: The Blacksmith and the Satan

Greatest Visible Results – Function: Prospect

Greatest Make-up – Function: The Blacksmith and the Satan

Greatest Director – Brief: Christopher Litten – Claw

Greatest Actor – Brief: Ryan Patrick Welsh – Outpost

Greatest Actress – Brief: Alana Elmer – Latched

Greatest Supporting Actor – Brief: Package Williamson – The Quiet Room

Greatest Supporting Actress – Brief: Minnie Driver – Laboratory Circumstances

Greatest Screenplay – Brief: Kevin Sluder – Heartless

Greatest Ensemble Forged – Brief: Heartless

Greatest Cinematography – Brief: Trauma Industries

Greatest Modifying – Brief: Cling Up!

Greatest Sound – Brief: The Silver

Greatest Rating – Brief: Andromeda

Greatest Manufacturing Design – Brief: Rab.Bit

Greatest Costumes – Brief: The Boogeys

Greatest Visible Results – Brief: Outpost

Greatest Make-up – Brief: Malacostraca

The Minerva Award: Mariama Diallo – Hair Wolf

Honorable Mentions for Bodily Performances: Sarah Fletcher in Prenatal and Troy James in Look Twice

Greatest Unproduced Function Screenplay:
1st Place: Night time Individuals by Soren Budge
2nd Place: Odyssey Video by William Angelico
third Place: Boxer by Michael Riedel and Toy Lei

Greatest Unproduced Brief Screenplay:
1st Place: The Legacy by Jeffrey Stackhouse and Renfield Rasputin
2nd Place: Boys Like Lifeless Issues by Michael McWhorter
third Place: The Farm by Allie Hanley and Daryl Kuxhouse

Paul Urkijo — a number of award winner at FilmQuest 2018 for “The Blacksmith and the Satan”.

And with the official winners introduced, listed here are my private picks for the “better of fest” – options and shorts.

TOP FIVE FEATURE FILMS (so as of choice): You Go to My Head (evaluation forthcoming), The Blacksmith and the Satan (evaluation forthcoming), The Witch Information (evaluate), Dementia Half II (evaluation), White Chamber (evaluate forthcoming)

FEATURE FILMS / HONORABLE MENTIONS (in alphabetical order): Chimera (evaluate forthcoming), The Look (assessment forthcoming), The God Inside My Ear (assessment forthcoming)

TOP TEN SHORT FILMS (so as of choice): Laboratory Circumstances, Suitable, Maw, Caducea, Ovum (Argentina), Hair Wolf, To Catch a Fly, Ought to You Meet a Woman in a Darkened Wooden, The Silver, Rustlers

FIFTEEN SHORT FILM / HONORABLE MENTIONS (in alphabetical order): three Keys, A Doll Distorted, Brown Evil, Candyland, Supply, Goldblooded, Heartless, Honey, I Baked Him a Cake, Malacostraca, Mr. Memento, Paprika, The Adventures of Penny Patterson, Thorn Thank You for Coming, Trauma Industries

I additionally added a brand new listing of movies for final yr’s wrap-up article, and had a lot enjoyable doing it, I’m together with this listing once more this yr.

TOP TEN SHORT FILMS WHICH I’D LOVE TO SEE IN A FEATURE VERSION (in alphabetical order): Caducea, Candyland, Suitable, Goldblooded, Honey, Laboratory Circumstances, Mr. Memento, Ovum (Argentina), Rustlers, The Silver

Christopher Litten and Cthulu awards for his brief movie, “Claw” at FilmQuest 2018.

Subsequent up, I’m including a model new (I hope enjoyable) class to this yr’s wrap-up. Just like the creepy little native statue of the ‘70s basic Trilogy of Terror – horror movies appear to closely depend on objects (dolls, talismen, lockets, books) to assist inform their tales – usually utilizing heaping helpings of symbolism alongside the best way.

Now. I’m a collector of film objects and toys. Heck, by way of the kindness of an on-line pal, I’ve in my possession, a small piece of wooden paneling from the Penney’s elevator within the unique Daybreak of the Lifeless (nerd alert!) I’ve acquired no room left in my house, however within the case of a few of the movie props seen right here at FilmQuest – properly, I’ll work it out.

So right here and now, I’m going to listing my must-have film props from the movies screened at this yr’s FilmQuest.

MUST-HAVE MOVIE PROPS (limitless and in no specific order — and let’s fake I’ve the area):

The Blacksmith and the Satan – “Matilde” the doll
The God Inside My Ear – the gnome statue
three Keys – a few of the creature puppets
Brown Fish – the roommate’s “tooth” equipment
Bullies – the “Tremendous Jack” motion determine
Caducea – the primary “tree” masks
Honey – Riley’s bee-keeping masks
Latched – the tiny forest creature found by the primary character
Malacostraca – the child puppet
Ovum (Argentina): the creature egg
The Bloody Ballad of Squirt Reynolds – the Burt Reynolds masks
Brown Evil – the “turd serpent” monster puppet
Suitable – one of many many sugar packets
Twin – a number of the clown/bear drawings of the wheelchair-bound child
Midnight Supply – the tribal masks/piece acquired by the primary character
Mr. Memento – the primary photograph acquired by the primary character
Porcelain Stare – the ultimate porcelain doll
The Child Whisperer – Ruby’s favourite doll
The Dollmaker – the kid doll
Thorn, Thank You for Coming – the Soylent Inexperienced Bluray copy used within the movie
Trauma Industries – the story’s central toy
What Metallic Women Are Into – the freezer hand
You Are the Captain – one (or two) of the VHS tapes

Together with all the cool movies, this fifth yr additionally noticed some fairly superb panels and workshops.

Manufacturing designer Mick Strawn, who has a powerful resume within the movie business, together with work on the A Nightmare on Elm Road franchise, Mortal Kombat and Blade. Throughout his presentation, he confirmed clips from A Nightmare on Elm Road three: Dream Warriors, in addition to A Nightmare on Elm Road Four: The Dream Grasp – discussing behind the scenes tips and enjoyable anecdotes from his time on set. Truthfully, for me, a self-proclaimed “Freddy-geek”, it was one thing of an emotional expertise to see these favourite movies from my youth dissected (i.e. it was very cool!). I picked up a replica of Mick’s ebook, Behind the Screams (now out there at www.behindthescreamsbook.com), and may’t wait to dig in!

Six of the essay contributors (together with yours really) from the Amazon #1 best-selling ebook, My Favourite Horror Film have been in attendance to signal copies of the e-book and to take a seat down for an informative Q&A about their decisions within the e-book, in addition to an in-depth dialogue of horror movies typically.

Professor Alex Nibley of Utah Valley College, provided up an in depth examination, side-by-side with a screening of Guillermo del Toro’s Pan’s Labyrinth.

Oscar-winning make-up artist, Joel Harlow (Star Trek) at FilmQuest 2018

Oscar-winning make-up artist, Joel Harlow held a workshop, the place he mentioned his spectacular profession, and did a stay make-up software on actress Ashley Edner (Star Trek Past). Harlow has been nominated for 3 Oscars, profitable one in 2009 for J.J. Abrams’ Star Trek. Right down to earth and open to virtually any query, listening to his anecdotes and seeing his expertise in individual – was a exceptional and thrilling expertise.  Harlow was additionally introduced with the Cthulu FilmQuest Legacy Award for his physique of labor within the business.

There have been many different panels and workshops all through the pageant’s 9 days, together with screenwriting workshops (with Crit Killen), discussions about how filmmakers can greatest reap the benefits of fundraising platforms like Kickstarter (with Justin Giddings) and a workshop with Christina Barsi and her presentation, “Artistic Podcasting for Filmmakers”.

And model new this yr was a “speed-dating” occasion the place individuals had two minutes to attach, pitch and meet fellow actors, writers and filmmakers. I took half, and whereas it was insane (in a great way), it was additionally mighty enjoyable and fairly productive.

Outdoors of the panels and screenings, this yr additionally had chill and enjoyable occasions like karaoke, getting-to-know-you filmmaker luncheons and a number of after-parties. There was a visit to an area escape room and a journey as much as close by Park Metropolis (house of Sundance) for a tour of Utah Movie Studios.

About halfway by means of the pageant, there was additionally a unbelievable after-party at an area Provo place, referred to as Boxcar Studios. Along with meals and drinks, there have been tarot card readings, caricature drawings and a number of other reside burlesque acts from native artists. And my favourite – a number of stay snakes have been available to be cuddled.

Additionally a notable (and spectacular) milestone for FilmQuest – Oscar-nominated actress, Kathleen Quinlan (Apollo 13) was in attendance to advertise her movie Chimera. Not too shabby.

As I’ve stated in earlier FilmQuest wrap-ups, this place, this employees, this pageant and the individuals who come to Utah to rejoice these fantastic film genres – are salt-of-the-earth. There’s merely no place higher to community, watch terrific movies and meet tons of latest artists.

However don’t take my phrase for it.

On the purple carpet, I interviewed Los Angeles filmmakers, Jennifer Dorrity Sluder and her husband/producing associate Kevin Sluder – following their two wins (Greatest Brief Screenplay and Greatest Ensemble Forged in a Brief) for his or her movie Heartless (take a look at my full evaluate right here). I requested Jennifer about her general impression of FilmQuest (their second yr attending). Right here’s what she needed to say:

“We come to Provo to satisfy extra LA filmmakers… [laughs] than some other movie pageant. And we make friendships right here. And we all know we’re gonna be serving to one another out and hopefully collaborating sooner or later, ‘trigger the programming is top-notch. Every thing is so properly finished. You’re gonna be assembly fantastic people who find themselves making unimaginable movies. Everybody ought to take a look at FilmQuest.”

Hey readers, it ain’t simply me having a superb time watching horror, sci-fi and fantasy flicks within the wilds of Utah!

“My Favourite Horror Film” ebook panel at FilmQuest 2018 (l to r) Jeffrey Reddick, Dave Parker, Clint Carney, Ernie Trinidad, Michael Klug, Matt Mercer.

FilmQuest simply wrapped, however they’ve already opened up for submissions to the 2019 season. You’ll be able to ship your tasks to them, solely by way of FilmFreeway.

And for an entire listing of this yr’s nominees and winners (in addition to details about the pageant and submitting your personal movie/screenwriting tasks), take a look at their website at www.filmquestfest.com.

And once more, keep tuned to this area for upcoming full evaluations of a few of the pageant’s different options: Chimera, Misplaced in Apocalypse, Prospect, The Look, The Blacksmith and the Satan, The God Inside My Ear, White Chamber and You Go to My Head.

And who is aware of, there might even be a couple of write-ups for some choose shorts.

See you in Provo subsequent yr for FilmQuest 2019!

 

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    if(jQuery(‘.contents-menu-wrapper’).hasClass(‘vertical’))
    var newOffset = 68;
    jQuery(‘physique’).knowledge()[‘bs.scrollspy’].choices.offset = newOffset; // Set the brand new offset
    jQuery(‘physique’).knowledge()[‘bs.scrollspy’].course of(); // Drive scrollspy to recalculate the offsets to your targets
    jQuery(‘physique’).scrollspy(‘refresh’); // Refresh the scrollspy.

    //if disqus is lively want to regulate anchor hyperlink from feedback to disqus thread
    perform disqusContentsMenu()
    if (jQuery(“#disqus_thread”).size > zero)
    jQuery(“#comments-anchor-wrapper a”).attr(“href”, “#disqus_thread”);

    //cover contents menu 2 seconds after scrolling has stopped
    (perform()
    var timer;
    jQuery(window).bind(‘scroll’,perform ()
    clearTimeout(timer);
    timer = setTimeout( refresh , 1800 );
    );
    var refresh = perform ()
    //solely need to do that for vertical fashion and provided that mouse just isn’t at present hovering over the menu
    if(jQuery(‘.contents-menu-wrapper’).hasClass(‘vertical’) && jQuery(‘.contents-menu-wrapper:hover’).size == zero)
    jQuery(‘.contents-menu-wrapper’).fadeOut(1200);

    ;
    )();

    //cover contents menu after consumer mouses out
    (perform()
    var timer;
    jQuery(‘physique’).on(‘mouseenter’, ‘.contents-menu-wrapper.vertical’, perform(e)
    jQuery(‘.contents-menu-wrapper’).cease(true, true).fadeIn(100);
    clearTimeout(timer);
    );
    jQuery(‘physique’).on(‘mouseleave’, ‘.contents-menu-wrapper.vertical’, perform(e)
    clearTimeout(timer);
    timer = setTimeout( refresh , 1800 );
    );
    var refresh = perform ()
    //solely need to do that for vertical fashion and provided that mouse just isn’t at present hovering over the menu
    if(jQuery(‘.contents-menu-wrapper’).hasClass(‘vertical’) && jQuery(‘.contents-menu-wrapper:hover’).size == zero)
    jQuery(‘.contents-menu-wrapper’).fadeOut(1200);

    ;
    )();

    /**
    * Examine a href for an anchor. If exists, and in doc, scroll to it.
    * If href argument ommited, assumes context (this) is HTML Component,
    * which would be the case when invoked by jQuery after an occasion
    */
    perform scroll_if_anchor(href)
    href = typeof(href) == “string” ? href : jQuery(this).attr(“href”);

    //don’t intrude with bootstrap carousels
    if(jQuery(href).size > zero && !jQuery(this).hasClass(‘no-scroll’))
    var fromTop = 118;

    //subtract contents menu peak (and margin)
    if(jQuery(‘.contents-menu-wrapper’).hasClass(‘vertical’))
    fromTop = fromTop – 51;

    // If our Href factors to a legitimate, non-empty anchor, and is on the identical web page (e.g. #foo)
    // Legacy jQuery and IE7 might have points: http://stackoverflow.com/q/1593174
    if(href.indexOf(“#”) == zero)
    var $goal = jQuery(href);

    // Older browser with out pushState may flicker right here, as they momentarily
    // bounce to the flawed place (IE =three)
    jQuery(“#searchformtop”).submit();
    else
    alert(“Search time period have to be at the very least three characters in size”);

    );
    //e-mail subscribe type submission
    jQuery(“#feedburner_subscribe button”).click on(perform()
    jQuery(“#feedburner_subscribe”).submit();
    );
    //present login type
    jQuery(“#sticky-login”).click on(perform()
    jQuery(‘#sticky-login-form’).animate(
    peak: ‘toggle’
    , 100, ‘linear’ );
    jQuery(‘#sticky-register-form’).disguise();
    jQuery(‘#sticky-register’).removeClass(‘lively’);
    jQuery(this).toggleClass(‘lively’);
    );
    //present register type
    jQuery(“#sticky-register”).click on(perform()
    jQuery(‘#sticky-register-form’).animate(
    peak: ‘toggle’
    , 100, ‘linear’ );
    jQuery(‘#sticky-login-form’).disguise();
    jQuery(‘#sticky-login’).removeClass(‘lively’);
    jQuery(this).toggleClass(‘lively’);
    );
    //submit button hover results
    jQuery(“.sticky-submit”).hover(perform()
    jQuery(this).toggleClass(“lively”);
    );
    //login type submission
    jQuery(“.sticky-login-form #user_pass”).keypress(perform(occasion)
    if (occasion.which == 13)
    jQuery(“#sticky-login-form .loading”).present();
    jQuery(“type.sticky-login-form”).animate(opacity: “zero.15”, zero);
    occasion.preventDefault();
    jQuery(“.sticky-login-form”).submit();

    );
    jQuery(“#sticky-login-submit”).click on(perform()
    jQuery(“#sticky-login-form .loading”).present();
    jQuery(“type.sticky-login-form”).animate(opacity: “zero.15”, zero);
    jQuery(“.sticky-login-form”).submit();
    );
    //register type submission
    jQuery(“.sticky-register-form #user_email”).keypress(perform(occasion)
    if (occasion.which == 13)
    jQuery(“#sticky-register-form .loading”).present();
    jQuery(“type.sticky-register-form”).animate(opacity: “zero.15”, zero);
    occasion.preventDefault();
    jQuery(“.sticky-register-form”).submit();

    );
    jQuery(“#sticky-register-submit”).click on(perform()
    jQuery(“#sticky-register-form .loading”).present();
    jQuery(“type.sticky-register-form”).animate(opacity: “zero.15”, zero);
    jQuery(“.sticky-register-form”).submit();
    );
    //cover examine password message
    jQuery(“.check-password”).click on(perform()
    jQuery(this).animate(
    peak: ‘toggle’
    , 100, ‘linear’ );
    );
    //scroll all #prime parts to prime
    jQuery(“a[href=’#top’]”).click on(perform()
    jQuery(“html, physique”).animate( scrollTop: zero , “sluggish”);
    return false;
    );
    //picture darkening
    jQuery(‘physique’).on(‘mouseenter’, ‘.darken’, perform(e)
    jQuery(this).discover(‘img’).cease().animate( opacity: .Four , 150);
    ).on(‘mouseleave’, ‘.darken’, perform(e)
    jQuery(this).discover(‘img’).cease().animate( opacity: 1.zero , 500);
    );
    //response mouseovers
    jQuery(‘physique’).on(‘mouseenter’, ‘.response.clickable’, perform(e)
    jQuery(this).addClass(‘lively’);
    ).on(‘mouseleave’, ‘.response’, perform(e)
    jQuery(this).removeClass(‘lively’);
    );
    // consumer score panel show
    jQuery(‘physique’).on(‘mouseover’, ‘.user-rating .rating-wrapper.rateable’, perform(e)
    jQuery(this).addClass(‘over’);
    jQuery(this).discover(‘.form-selector-wrapper’).fadeIn(100);
    );
    jQuery(‘physique’).on(‘mouseleave’, ‘.user-rating .rating-wrapper’, perform(e)
    jQuery(this).cease().delay(100)
    .queue(perform(n)
    jQuery(this).removeClass(‘over’);
    n();
    );
    jQuery(this).discover(‘.form-selector-wrapper’).cease().fadeOut(500);
    );
    // consumer remark score panel show
    jQuery(‘physique’).on(‘mouseover’, ‘#reply .rating-wrapper.rateable’, perform(e)
    jQuery(this).addClass(‘over’);
    jQuery(this).discover(‘.form-selector-wrapper’).fadeIn(100);
    );
    jQuery(‘physique’).on(‘mouseleave’, ‘#reply .rating-wrapper’, perform(e)
    jQuery(this).cease().delay(100)
    .queue(perform(n)
    jQuery(this).removeClass(‘over’);
    n();
    );
    jQuery(this).discover(‘.form-selector-wrapper’).cease().fadeOut(500);
    );
    // consumer remark score
    jQuery( “#reply .form-selector” ).on( “slidestop”, perform( occasion, ui )
    var divID = jQuery(this).mum or dad().mum or dad().mother or father().attr(“id”);
    var score = jQuery(this).mum or dad().siblings(‘.rating-value’).html();
    jQuery(‘#’ + divID + ‘ .theme-icon-check’).delay(100).fadeIn(100);
    jQuery(‘#’ + divID + ‘ .hidden-rating-value’).val(score);
    );

    //pinterest
    if(jQuery(‘#pinterest-social-tab’).size > zero)
    (perform(d)
    var f = d.getElementsByTagName(‘SCRIPT’)[0]p = d.createElement(‘SCRIPT’);
    p.sort = ‘textual content/javascript’;
    p.async = true;
    p.src = “http://assets.pinterest.com/js/pinit.js”;
    f.parentNode.insertBefore(p, f);
    (doc));

    //fb
    if(jQuery(‘#facebook-social-tab’).size > zero)
    (perform(d, s, id)
    var js, fjs = d.getElementsByTagName(s)[0];
    if (d.getElementById(id)) return;
    js = d.createElement(s); js.id = id;
    js.src = “http://connect.facebook.net/en_US/all.js#xfbml=1&status=0″;
    fjs.parentNode.insertBefore(js, fjs);
    (doc, ‘script’, ‘facebook-jssdk’));

    //WINDOW.LOAD
    jQuery(window).load(perform()

    //flickr
    if(jQuery(‘#flickr-social-tab’).size > zero)
    jQuery(‘.flickr’).jflickrfeed(
    restrict: 9,
    qstrings:
    id: ”
    ,
    itemTemplate: ‘

  • ‘+
    ” +
    title‘ +
    ” +

  • , perform(knowledge)
    );

    //tabs – these should go in window.load so pinterest will work inside a tab
    jQuery(‘.widgets-wrapper .it-social-tabs’).tabs( fx: opacity: ‘toggle’, period: 150 );
    jQuery(‘#footer .it-social-tabs’).tabs( lively: 2, fx: opacity: ‘toggle’, period: 150 );
    jQuery(‘.share-wrapper’).present();
    equalHeightColumns(jQuery(“.loop.grid .article-panel”));
    disqusContentsMenu();

    //present advertisements after mmenu is setup as a result of it wraps the web page in a div
    //inflicting google adsense to reload
    jQuery(‘.it-ad’).animate(opacity: ‘1’, zero);

    );

    jQuery.noConflict();

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